I really should put more actual work up here - it’s not like the paper version doesn’t get recycled along with everything else. This is my fourth for The Guardian and I’ve managed to survive the commenters thus far. Although I’m still quivering that it might just be honeymoon period.
I went to Alistair Hendy’s extraordinary set-up with talons sharpened, fully expecting to find it utterly ridiculous and fully pretentious. Instead, I came out bewitched. He really has created something quite extraordinary. My only disappointment is that staff don’t wear those brown coats a la Open All Hours.